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Lyndsey Walsh is an American artist, writer, and researcher based in Berlin, DE. Lyndsey has a Bachelor’s in Individualized Studies from New York University and a Master’s in Biological Arts with Distinction from SymbioticA Centre of Excellence in Biological Arts at the University of Western Australia. Lyndsey is enthralled by the ruptures in the corporeality of culture caused by technology. They are also fixated on the creatures that are born from these ruptures, as they embody both collective cultural fears and technologically mediated desires.

Lyndsey’s practice employs queer and intersectional feminist frameworks to question the tensions that can exist surrounding these creatures whose very existence resists cultural and anthropocentric binaries of human-non-human, diseased-healthy, and life-machine. Currently, Lyndsey is a visiting scholar and researcher with the Department of Experimental Biophysics at Humboldt Universität zu Berlin, and they guest lecture at various institutions and universities. Their work has been exhibited globally and featured in art events and with institutions such as Frieze Art Week New York, the Humboldt Forum, the Ural Biennial, the Berlin Biennale, Transmediale/CTM, and more.
 

For all inquiries, please contact via email. 


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they/them


Lyndsey is an American artist, designer, writer/editor, and lecturer based in Berlin, DE. Their work explores the instability surrounding the cultural and social aspects of disease, identity, the body, death, human and non-human relationships, and speculative narratives on the future. Currently, Lyndsey is a visiting scholar and the resident artist at theDepartment of Experimental Biophysics at Humboldt Universität zu Berlin in collaboration with the UniSysCat Cluster of Excellence, and they guest lecture at various institutions and universities. Lyndsey is also a contributing writer for CLOT Magazine.

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For all inquiries about teaching, guest lectures or commissioning writing, editing, or design work, please contact via email.


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I’M DADDY


PHOTOGRAPHY/LORE DOCUMENTATION BY Tania Olivares


2022-Ongoing

I’m Daddy is a creative collective comprised of Bailey Keogh and Lyndsey Walsh that works to subvert power structures and question relationship dynamics through creative explorations in music and art.

I’m Daddy’s activity includes the curation of the 2022 Transmediale and CTM’s Vorspiel exhibition LORE at Gelegenheiten in Berlin, DE. 


LORE is an exploration of the ways magic and technology can meet and intersect in our current times to rearticulate points of conflict, reclaim experiences, and imagine different worlds, pasts, presents, and futures. We aim to curate creative visions that set out to tell new stories, decolonize stories of the past, or share knowledge that may have been overlooked or ignored by prevailing societal discourse.

From stories about cursed objects to divination, I’m Daddy has curated a program filled with engaging and creative discussions about magic’s place in our highly technological world, how technology and magic practices can work in tandem and as extensions of one another, and how technologically based cultures can be reanalyzed and communed with in a magical way.


LORE’s Featured Artists include:
 
Jess Cockerill
Tabitha Swanson
Darya Savchenko
Felix Ansmann & Kani Lent
Yaron Maïm
Selou Sowe
Mazenett Quiroga
Hermetechnics, Inc.
Bailey Keogh, Daniel Shinbaum, & Catherine Leigh Schmidt
Barbara Herschel 
Callum Siegmund
Luïza Luz

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©2024 Lyndsey Walsh