they/them



Lyndsey Walsh is an American artist, writer, and researcher based in Berlin, DE. Lyndsey has a Bachelor’s in Individualized Studies from New York University and a Master’s in Biological Arts with Distinction from SymbioticA Centre of Excellence in Biological Arts at the University of Western Australia. Lyndsey is enthralled by the ruptures in the corporeality of culture caused by technology. They are also fixated on the creatures that are born from these ruptures, as they embody both collective cultural fears and technologically mediated desires.

Lyndsey’s practice employs queer and intersectional feminist frameworks to question the tensions that can exist surrounding these creatures whose very existence resists cultural and anthropocentric binaries of human-non-human, diseased-healthy, and life-machine. Currently, Lyndsey is a visiting scholar and researcher with the Department of Experimental Biophysics at Humboldt Universität zu Berlin, and they guest lecture at various institutions and universities. Their work has been exhibited globally and featured in art events and with institutions such as Frieze Art Week New York, the Humboldt Forum, the Ural Biennial, the Berlin Biennale, Transmediale/CTM, and more.
 

For all inquiries, please contact via email. 


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they/them


Lyndsey is an American artist, designer, writer/editor, and lecturer based in Berlin, DE. Their work explores the instability surrounding the cultural and social aspects of disease, identity, the body, death, human and non-human relationships, and speculative narratives on the future. Currently, Lyndsey is a visiting scholar and the resident artist at theDepartment of Experimental Biophysics at Humboldt Universität zu Berlin in collaboration with the UniSysCat Cluster of Excellence, and they guest lecture at various institutions and universities. Lyndsey is also a contributing writer for CLOT Magazine.

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For all inquiries about teaching, guest lectures or commissioning writing, editing, or design work, please contact via email.


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︎︎︎ Instagram
︎︎︎ Twitter

WRITING





Lyndsey produces cutting-edge written content for magazines, FinTechs, StartUps, Cultural Institutions, private studios, galleries, laboratories and scientific research institutions, and more.

Lyndsey works across the writing disciplines of technical writing, book writing, creative writing, scientific writing, academic writing, SEO content creation, academic articles, social media content, art and music reviews, OpEd pieces, and interviews. Lyndsey is also a seasoned editor with over six years of editing experience. Lyndsey has publications with Nautilus Magazine, The Goethe Institute, Studio XX, CLOT Magazine, Makery Media, Unbore Collective, and more. 

Currently, Lyndsey is a contributing writer for CLOT Magazine. 



SELECTED PUBLICATIONS

Self-Care: Seeking Queer Liberation from the Medical Gaze and Genetic Fatalism in Issue 32 of the AM Journal of Art and Media Studies
Insight: Artificial Consciousness–HyungJun Park, exposing the invisible for all to see for CLOT Magazine

The Teratoma Will Always Return, Blog Article for Posthuman Laboratories as part of the exhibition Intelligence Unbound

Mycopoetics: embodying regeneration and ways to “compost the toxins of the Anthropocene” for Makery Media

Insight: Vicious Cycle, raising awareness on the climate crisis & excessive agricultural activity for CLOT Magazine

Insight: ‘I KNOW-- On The Aesthetic of Truth’, knowability in a post-truth world for CLOT Magazine

“HORROR!/The Leaky Body and Horrific Oozing” Podcast for The University of the Underground

(R)EVOLUTION: Optogenetics and Interspecies Microperformance published in the Journal of British Computer Science

‘Exploring the Hackers, Makers, Thinkers conference’ by Lyndsey Walsh for CLOT Magazine

‘The Art of Science’, on human curiosity, conceptualization & craft by Lyndsey Walsh for CLOT Magazine

VIVIAN XU & BENJAMIN BACON, virtual societies, disruptive technologies and material ecologies for CLOT Magazine

‘Under the viral shadow. Networks in the Age of Technoscience and Infection’ by Lyndsey Walsh for CLOT Magazine

‘Art Laboratory Berlin’s “Swarms, Robots and Postnature” and the Power of the Masses’ by Lyndsey Walsh for CLOT Magazine

ALEXANDRA DAISY GINSBERG, creatively asking how we can make the world “better” for CLOT Magazine

LÁSZLÓ BARABÁSI, revealing how networks determine complex systems for CLOT Magazine

ART LABORATORY BERLIN, looking at the past, present, and future of interdisciplinary art for CLOT Magazine

Insight: ‘THE CAMILLE DIARIES’, finding kin and ‘m/othering’ life for CLOT Magazine

Insight: ‘Macht Natur- Farming The Uncanny Valley’ for CLOT Magazine

How are Designers Reimagining Personal Protection for the Pandemic? for Unbore Collective

Insight: on Pei-Ying Lin’s “Virophilia” for CLOT Magazine

Exhibition: NEAR + FUTURES + QUASI + WORLDS by S+T+ARTS EU at STATE Studio for CLOT Magazine

Young and Healthy and Waiting to Get Cancer-The hardest part of living with the BRCA1 gene for Nautilus Magazine

Insight: Guy Ben-Ary, Nathan Thompson and Sebastian Diecke’s ‘Bricolage’ for CLOT Magazine

Apocalyptic Visions: How do these Artists and Designers face the impending future of the Climate Crisis andother Global Disasters? for Unbore Collective

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©2022 Lyndsey Walsh